Sans Normal Jogoh 11 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'AC Texto' and 'AC Texto Pro' by Antoine Crama, 'Barmeno' by Berthold, 'FF Sari' by FontFont, 'Frutiger' by Linotype, 'Nina' by Microsoft Corporation, and 'URW Grotesk' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, sporty, energetic, assertive, modern, punchy, impact, motion, attention, branding, display, oblique, geometric, rounded, compact, dynamic.
A heavy, oblique sans with broad, rounded forms and clean, unadorned terminals. Curves are built from smooth elliptical bowls, while joins and intersections stay crisp, giving the letters a sturdy, poster-ready silhouette. The slant is consistent across caps, lowercase, and numerals, and the rhythm is compact with tight counters and substantial stroke mass. Lowercase shapes are simple and contemporary, with single-storey constructions where expected, and numerals echo the same robust, rounded geometry.
This font is well suited to headlines, posters, and short bursts of copy where impact matters more than extended reading comfort. It performs particularly well in sports and event branding, packaging callouts, and signage where the slanted, muscular shapes help text feel active and urgent. For best results, use generous tracking and ample line spacing when setting longer phrases.
The overall tone is fast, confident, and high-impact, with a forward-leaning stance that suggests motion and urgency. Its bold, rounded geometry reads as modern and approachable rather than formal, making it feel suited to energetic, attention-grabbing messaging.
The design appears intended to deliver a strong, kinetic sans voice: a bold, rounded structure paired with a steady oblique angle to communicate speed and emphasis. It prioritizes visual punch, consistent texture, and modern simplicity for branding and display typography.
Legibility holds up well at display sizes thanks to clear silhouettes and strong differentiation in the capitals, while the densest letters can feel intentionally compact due to the heavy strokes and relatively tight internal spaces. The figures are especially bold and headline-oriented, matching the letterforms closely for consistent color in mixed alphanumeric settings.