Sans Superellipse Higul 11 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Morgan Poster' by Feliciano, 'Tradesman' by Grype, 'Neuborn' by HIRO.std, 'EFCO Colburn' by Ilham Herry, 'Nasional Sans' by Jetsmax Studio, 'Exabyte' by Pepper Type, and 'TX Manifesto' by Typebox (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, industrial, tech, sporty, compact, assertive, display impact, space saving, geometric consistency, industrial tone, squared, rounded corners, geometric, blocky, condensed feel.
This typeface is built from compact, rounded-rectangle forms with heavily weighted strokes and tight internal counters. Curves resolve into squared bowls and softened corners, producing a superelliptical, block-leaning geometry rather than circular rounds. Terminals are blunt and uniform, with minimal modulation and a consistent, sturdy rhythm across caps, lowercase, and numerals. The lowercase follows a simplified, engineered construction (single-storey a, compact e, squared o), and figures echo the same rounded-square silhouette for a cohesive, sign-like texture.
Best suited to display settings where impact and a compact footprint are desired: headlines, posters, wordmarks, packaging, and short UI labels or signage. It can also work for sports, tech, and industrial branding where a bold, engineered texture helps establish a strong visual identity; extended small text may need generous sizing and spacing due to the tight counters.
The overall tone feels utilitarian and modern, combining a technical, industrial voice with the punchiness of athletic or arcade-inspired display type. Its dense shapes and squared curves read as confident and forceful, with a slightly retro-digital edge that suggests machinery, labeling, and bold branding.
The design appears intended to deliver maximum punch in a condensed, space-efficient silhouette, using rounded-square geometry to balance friendliness with a hard-edged, mechanical structure. It prioritizes uniformity and legibility at display sizes while projecting a modern, utilitarian character.
Counters are notably small and apertures tend to be tight, which increases visual mass and strengthens the stencil-like solidity at larger sizes. Diacritics and punctuation aren’t shown, but the sample indicates strong headline presence with a consistent, compact word shape and clean, no-nonsense forms.