Sans Superellipse Olluj 5 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Geogrotesque Condensed Series' and 'Geogrotesque Sharp' by Emtype Foundry, 'Kuunari' and 'Kuunari Rounded' by Melvastype, 'Otoiwo Grotesk' by Pepper Type, and 'TT Backwards' by TypeType (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, branding, industrial, confident, poster-like, utilitarian, sporty, space saving, high impact, modern signage, geometric uniformity, brand presence, condensed, blocky, rounded corners, sturdy, compact.
A compact, heavy sans with a condensed footprint and rounded-rectangle construction. Strokes stay consistently thick with minimal modulation, and terminals are blunt with softly rounded corners that keep the shapes from feeling harsh. Counters are tight and vertically oriented, with squarish bowls and compact apertures; curves read more like superellipses than circles. The overall rhythm is dense and even, with tall verticals and restrained interior space that favors impact over openness.
Best suited to display settings where space is limited but strong presence is needed, such as headlines, posters, storefront or wayfinding signage, and bold packaging panels. It can also work for logos and wordmarks that benefit from a compact, tightly set silhouette and a contemporary, rounded-rect aesthetic.
The tone is bold and assertive, with a practical, no-nonsense voice. Rounded corners add a friendly, contemporary edge, but the condensed massing keeps it feeling forceful and attention-grabbing. It suggests modern industrial signage, athletic branding, and straightforward headline emphasis.
This design appears intended to deliver maximum impact in a narrow width while staying approachable through rounded corners and stable, low-modulation strokes. The consistent superelliptical geometry suggests a focus on modernity, repeatable forms, and strong visual economy for attention-driven typography.
Uppercase forms are particularly monolithic and poster-ready, while lowercase keeps the same squared, compact logic for a cohesive texture. Numerals follow the same sturdy, condensed proportions, reading clearly at display sizes and maintaining consistent color across a line.