Sans Superellipse Gigoj 7 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Bronkoh' by Brink, 'Mercurial' by Grype, 'Neusa Neu' by Inhouse Type, 'Nusara' by Locomotype, 'Decima Nova Pro' by TipografiaRamis, and 'Quan Geometric' and 'Quan Pro' by Typesketchbook (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, playful, friendly, punchy, modern, impact, approachability, modern branding, clarity, geometric consistency, rounded, blocky, compact, geometric, high contrast counters.
A heavy, geometric sans with soft, squared-off curves and a distinctly rounded-rectangle (superellipse) construction. Strokes are consistently thick with minimal modulation, producing dense, stable letterforms and a compact texture in text. Corners and terminals are broadly rounded, while counters tend to be squarish and open enough to remain legible at display sizes. Overall proportions read slightly wide and sturdy, with short-looking ascenders/descenders and generous interior shapes that keep the forms from feeling cramped.
Best suited for display applications where impact and clarity are priorities, such as headlines, posters, brand marks, packaging, and short UI labels. It can also work for brief blocks of copy at larger sizes, where its compact, rounded forms create a distinctive, cohesive texture.
The rounded, blocky geometry gives the face a friendly but assertive tone—approachable, contemporary, and highly visible. It feels energetic and upbeat rather than delicate, making it well-suited to bold, attention-first messaging.
The design appears intended to deliver maximum visual presence with a warm, contemporary feel—combining a sturdy geometric skeleton with softened corners to keep the tone welcoming. Its consistent stroke weight and rounded-rectangle construction suggest an emphasis on clean reproduction across modern graphic contexts.
Round letters like O/Q show a squircle-like outline, and curves generally resolve into broad radii rather than sharp joins. Diagonals (A, K, V, W, X, Y) appear firm and chunky, reinforcing a strong rhythm. Numerals are similarly robust and simplified, matching the overall geometric logic and maintaining strong silhouette clarity.