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Free for Commercial Use

Sans Normal Aknuv 18 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Ausion' by Andfonts, 'Aspira' by Durotype, 'Bergen Text' by Mindburger Studio, 'Almarose' by S&C Type, 'Glendale' and 'Glorich' by Sarid Ezra, and 'URW Geometric' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, signage, modern, friendly, clean, confident, pragmatic, impact, clarity, approachability, modernity, simplicity, geometric, rounded, high contrast, crisp, compact.


Free for commercial use
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A sturdy sans with geometric construction and generously rounded curves, especially visible in C, O, and S. Strokes are consistently heavy with clean, straight terminals, producing a compact, blocky silhouette in capitals and a tight, efficient rhythm in text. Counters are fairly open for the weight, and joins feel controlled and deliberate rather than calligraphic. Lowercase forms lean simple and utilitarian (single-storey a and g), while numerals are similarly solid and high-impact with clear differentiation in shapes like 6/9 and 2/3.

This font is well-suited to headlines and short phrases where strong contrast against the background and a compact footprint are beneficial. It can work effectively for branding and packaging that needs a friendly-but-solid voice, as well as signage and UI labels where quick recognition and high visual weight are desired.

The overall tone is modern and approachable, with a friendly roundness tempered by a firm, no-nonsense weight. It reads as confident and functional, aiming for clarity and strong presence without feeling sharp or ornate.

The design appears intended to deliver a versatile, high-impact sans that remains legible and upbeat through geometric simplicity and controlled rounding. It prioritizes a bold, even texture and straightforward letterforms that hold up well in prominent, attention-getting applications.

The heavy color creates strong emphasis and yields a dense texture in longer lines, making spacing and line breaks feel important at display sizes. Curves appear slightly squared-off at some transitions, which adds a contemporary, engineered flavor to the otherwise rounded geometry.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸