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Free for Commercial Use

Sans Normal Adnis 5 is a regular weight, wide, low contrast, italic, normal x-height font visually similar to 'Salma Alfasans' by Alifinart Studio, 'BB Casual Pro' by Bold Studio, 'Galano Grotesque' by René Bieder, 'SFT Schrifted Sans' by Schrifteria Foundry, and 'Lens Grotesk' by Typedepot (names referenced only for comparison).

Keywords: ui text, brand systems, signage, infographics, editorial, modern, technical, clean, efficient, neutral, clear emphasis, system compatibility, contemporary utility, fast scanning, neutral voice, oblique, geometric, monoline, open apertures, rounded terminals.


Free for commercial use
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A slanted, monoline sans with a clean geometric backbone and softly rounded joins. Curves are smooth and circular, while straighter strokes stay crisp, giving the design a tidy, engineered rhythm. Counters are generally open and legible, with compact, utilitarian shapes in letters like a, e, and s. The figures follow the same even stroke behavior, with simple forms and clear differentiation in the set.

This font fits well in interface typography, dashboards, and product branding where a clean italic is needed for emphasis without sacrificing clarity. Its steady stroke weight and open forms also suit labels, wayfinding, and informational graphics. In editorial settings, it works for subheads, pull quotes, and short paragraphs where a modern slanted sans can add energy while staying readable.

The overall tone feels contemporary and matter-of-fact, with an unobtrusive italic slant that adds motion without becoming expressive or calligraphic. It reads as confident and functional—more about clarity and pace than personality. The result is a modern, slightly dynamic voice suited to straightforward communication.

The design appears intended as a practical italic companion for modern sans-serif systems—prioritizing consistent geometry, even color in text, and clear letterforms. It aims to provide a brisk, contemporary emphasis style that remains neutral and dependable across a range of sizes.

The italic angle is consistent across capitals, lowercase, and numerals, helping text blocks maintain a cohesive forward flow. Spacing appears comfortable and even, supporting continuous reading in the sample text. Round letters (C, G, O, Q) emphasize the geometric construction, while diagonals (K, V, W, X, Y) keep a clean, taut structure.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸