Stencil Abho 9 is a regular weight, normal width, monoline, upright, short x-height font.
Keywords: headlines, posters, branding, signage, packaging, futuristic, industrial, technical, modernist, clean, stencil utility, modern display, industrial styling, geometric clarity, systematic rhythm, geometric, stenciled, gapped, crisp, minimal.
A geometric sans with consistent monoline strokes and pronounced stencil breaks that create clean interior bridges, especially in round forms. Bowls and curves are near-circular, while verticals are straight and crisp; terminals are generally blunt, with a few angled joins that add a mechanical rhythm. Proportions skew toward compact lowercase forms with a comparatively short x-height, while capitals feel open and architectural. The figures echo the same language, using circular constructions and deliberate gaps that keep counters readable and forms highly uniform.
Best suited to display settings where the stencil breaks become a defining graphic element—headlines, logos, posters, and product branding. It can work for short passages or UI-style labels when set with comfortable spacing, but its distinctive gaps and compact lowercase proportions are most effective at larger sizes and in high-contrast applications such as signage or packaging.
The overall tone is precise and engineered, blending a modernist calm with a slightly sci‑fi, industrial edge. The repeated breaks and circular geometry give it a constructed, utilitarian feel—more instrument-panel than handwritten—while still reading as sleek and contemporary.
Likely designed to merge a clean geometric sans foundation with unmistakable stencil functionality, emphasizing reproducible, bridge-friendly shapes and a controlled, technical aesthetic. The intent appears to be a modern display face that communicates precision and industrial styling without relying on heavy weight or ornament.
The stencil bridging is handled with consistent placement, producing a distinctive “segmented” silhouette in letters like O/C/G and several numerals. Round letters tend to read as ring-like shapes with strong negative space, and the design maintains a steady rhythm in text through repeated vertical strokes and recurring gap motifs.