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Free for Commercial Use

Stencil Upbi 1 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Poligon' by Halbfett and 'Akwa Stencil' by HeadFirst (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, wayfinding, industrial, technical, modernist, futuristic, signage, stencil aesthetic, fabricated look, modern signage, brand impact, geometric, crisp, high-contrast, cut-out, modular.


Free for commercial use
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A geometric sans with monoline construction and pronounced stencil breaks that create clean “bridges” through bowls and terminals. Curves are near-circular and paired with straight, sharply cut joins, giving many letters a machined, cut-from-sheet look. Stroke endings are mostly squared off, with occasional angled cuts in diagonals, and counters stay open and legible despite the interruptions. Overall spacing and rhythm feel orderly and engineered, with a consistent, system-like treatment across uppercase, lowercase, and figures.

Best suited for display settings where the stencil construction can be appreciated: headlines, posters, branding marks, packaging, and event graphics. The clear bridges and open counters also make it a strong option for signage and wayfinding, especially in short phrases or titles.

The stencil gaps and hard edges give the face an industrial, technical tone with a contemporary, design-forward attitude. It reads as utilitarian and precise, while the circular breaks add a subtle sci‑fi or fabricated-signage character.

The font appears designed to merge a clean geometric sans structure with unmistakable stencil functionality, creating a contemporary cut-out aesthetic. Its consistent interruptions and crisp terminals suggest an intention toward fabricated lettering—useful for bold identity work and industrial-themed communication.

The design leans heavily on circular forms in letters like C, O, Q, and e, where the vertical breaks become a defining motif. Diagonals in K, V, W, X, Y, and Z are crisp and angular, reinforcing a mechanical feel. Numerals follow the same cut-out logic, producing a cohesive set for display use.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸