Sans Normal Loril 13 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Jarvis' by Alan Smithee Studio, 'Delta' by Berthold, 'Galvani' by Hoftype, 'Fact' by ParaType, 'Gordita' by Type Atelier, and 'Inovasi' by XdCreative (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, advertising, sporty, energetic, confident, contemporary, playful, impact, momentum, approachability, display emphasis, modernity, slanted, rounded, soft corners, bulky, compact counters.
A heavy, right-slanted sans with broad proportions and rounded, softened corners. Strokes are thick and largely uniform, with compact internal counters and smooth, circular bowls that give the forms a sturdy, continuous rhythm. Terminals tend to be blunt or gently curved, and diagonals (as in A, V, W, X, and the numerals) feel strong and stable rather than sharp. Overall spacing reads generous, helping the dense letterforms stay legible at display sizes.
Best suited for headlines, posters, and short emphatic lines where a bold, kinetic presence is desired. It can work well for sports-related branding, energetic campaigns, packaging callouts, and promotional graphics, especially when set large or with ample tracking for clarity.
The font projects a bold, energetic tone with a sporty, forward-leaning momentum. Its rounded geometry keeps the voice friendly and approachable, while the weight and width communicate confidence and impact. The overall feel is modern and punchy, suited to attention-grabbing messaging.
The design appears intended to deliver high-impact, modern sans typography with a dynamic slant and friendly, rounded construction. It balances assertiveness with approachability, aiming for strong visibility and a lively, contemporary texture in display settings.
The slant is consistent across uppercase, lowercase, and figures, producing a unified, dynamic texture in text. Round letters like O and Q appear especially robust, and the figures are clear and chunky, matching the letterforms’ broad stance.