Sans Normal Lylup 7 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Glembo' by Differentialtype, 'Croma Sans' by Hoftype, 'Gasco' by Joelmaker, 'Madiffure' by Ridtype, 'Point Panther' by Sarid Ezra, and 'Meutas' by Trustha (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, ad copy, sporty, dynamic, confident, punchy, retro, impact, motion, emphasis, branding, slanted, rounded, compact, blocky, brisk.
A heavy, slanted sans with broad, rounded bowls and sturdy, mostly monoline strokes. The letterforms feel slightly compressed with tight counters and smooth, continuous curves, producing a dense, high-impact texture. Terminals are clean and blunt, and the overall construction emphasizes simple geometric shapes with subtle optical rounding that keeps the mass from feeling rigid. Numerals and caps share the same strong, forward-leaning stance, giving lines of text a fast, cohesive rhythm.
Best suited for short, attention-grabbing settings such as headlines, poster typography, sports and event branding, and punchy packaging callouts. It can work for subheads and short promotional blocks where the strong slant and weight help carry emphasis, but it’s less appropriate for long-form reading at small sizes due to its dense color.
The font reads energetic and assertive, with a forward motion that suggests speed and action. Its bold, compact presence feels sporty and promotional, leaning toward a modern-retro display tone rather than a quiet, neutral voice.
Likely designed to deliver immediate visual impact with a fast, sporty slant and simplified geometric forms. The goal appears to be a bold, modern display sans that stays smooth and approachable while maintaining strong presence in branding and advertising contexts.
At text sizes the heavy weight and tight apertures create a dark, continuous color; it performs best where impact matters more than fine-detail clarity. The slant and wide curves give it a smooth flow in headlines, while dense shapes can reduce differentiation in smaller settings.