Sans Other Tele 8 is a light, wide, low contrast, upright, normal x-height font visually similar to 'Jindo' by Nine Font and 'Artico' by cretype (names referenced only for comparison).
Keywords: display, branding, editorial, packaging, technology, modernist, futuristic, technical, minimal, distinctive cuts, brand voice, geometric clarity, systematic construction, geometric, monoline, open apertures, rounded terminals, high crossbars.
A monoline sans with airy spacing and a distinctly constructed, geometric skeleton. Strokes stay even throughout, with rounded joins and terminals that often feel softly clipped rather than fully circular. Several glyphs introduce deliberate breaks or cut-in notches—most noticeably in round forms like C, G, O, Q and in counters such as e—creating a segmented, stencil-like impression while maintaining clear outlines. Capitals are tall and clean with simplified bowls and generous interior space; lowercase forms remain straightforward and readable, with single-storey a and g and a compact, tidy rhythm across text. Numerals echo the same construction, with open curves and consistent stroke behavior.
Best suited to display typography where the segmented construction can read as intentional detail—logos, tech-forward branding, product packaging, posters, and magazine headers. It can work for short editorial passages or UI accents when set with comfortable size and spacing, but the recurring cut motifs are most effective when allowed to show clearly.
The overall tone is contemporary and engineered, with a subtle sci‑fi flavor coming from the repeated gaps and channel-like cuts in curved letters. It feels streamlined and precise rather than expressive, projecting a calm, controlled modernity with a slightly experimental edge.
Likely designed to reinterpret a clean geometric sans through systematic incisions and breaks, adding a distinctive signature without resorting to heavy ornament. The intent appears to balance contemporary readability with a recognizable, constructed look for modern brand and headline applications.
The distinctive cut details add character but also create strong identifying shapes in common letters (especially O/e), which will become the primary stylistic signal in running text. Counters and apertures remain fairly open, helping the design stay legible despite the unconventional interruptions.