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Free for Commercial Use

Print Fulab 10 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Akzidenz-Grotesk Next' by Berthold; 'Isotonic' by Emtype Foundry; 'Benton Sans', 'Benton Sans Pro', and 'Benton Sans Std' by Font Bureau; and 'Nuno' by Type.p (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, signage, playful, chunky, friendly, retro, handmade, impact, approachability, handmade feel, display clarity, rounded, soft corners, ink-trap hints, compact, bouncy.


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A heavy, blocky sans with a distinctly hand-made feel, built from broad strokes and softly rounded corners. Curves are slightly irregular and terminals often look subtly chiseled or pressed, giving the outlines a tactile, stamped quality rather than a perfectly geometric finish. Counters are compact and openings can be tight in letters like e, a, and s, while verticals stay sturdy and consistent, creating strong dark shapes and an even, poster-like color. Overall proportions feel compact with mild width variation across glyphs, keeping the texture lively without breaking readability at display sizes.

Best suited to headlines, posters, packaging, and brand marks where a bold, friendly voice is needed. It also works well for signage, stickers, and short bursts of copy such as labels or social graphics, especially when high impact and a handmade tone are desired.

The font reads as bold, approachable, and a bit mischievous—like hand-cut lettering or a thick marker refined into print. Its warmth and slight roughness add personality, suggesting casual confidence rather than corporate polish. The overall tone leans retro and playful, suitable for energetic, informal messaging.

The design appears intended to deliver maximum visual punch with an informal, hand-drawn credibility—capturing the charm of drawn or cut lettering while remaining structured enough for consistent setting. It prioritizes recognizable silhouettes and a lively texture over crisp, neutral precision.

The uppercase is particularly impactful and dense, while the lowercase keeps a rounded, friendly rhythm that helps longer lines feel less rigid. The numerals follow the same chunky construction, maintaining strong presence and consistency in headings and callouts. Because counters and apertures run tight, the type benefits from generous spacing and larger sizes where its silhouette and character details can breathe.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸