Sans Superellipse Edreh 1 is a light, narrow, low contrast, italic, normal x-height font visually similar to 'Fishmonger' by Suitcase Type Foundry (names referenced only for comparison).
Keywords: ui design, product branding, headlines, signage, dashboards, modern, technical, clean, efficient, futuristic, space saving, modernization, ui clarity, tech tone, monoline, rounded, soft corners, oblique, condensed.
A condensed, monoline sans with an oblique stance and rounded-rectangle construction throughout. Curves resolve into softened corners rather than true circles, giving counters and bowls a squared-off, superelliptical feel. Strokes stay even and fairly open, with straightforward joins and minimal modulation; terminals are clean and often gently rounded. The overall rhythm is tight and upright in structure despite the slant, with compact widths and consistent spacing that reads orderly in both uppercase and lowercase.
It suits interface typography, dashboards, and product surfaces where a compact footprint and clean shapes help conserve space while staying legible. The oblique angle makes it effective for headlines, labels, and wayfinding-style signage that benefits from a sense of forward motion. It can also work for contemporary branding and packaging that wants a modern, technical voice.
The tone feels contemporary and utilitarian, with a subtle futuristic edge coming from the rounded-rect geometry. Its oblique posture adds motion and a lightly sporty energy without becoming expressive or calligraphic. Overall it communicates clarity, efficiency, and a tech-forward sensibility.
The design appears intended to blend neutrality with a distinctive geometric signature, using rounded-rectangle forms to create a recognizable texture while keeping letterforms simple and systematic. The oblique construction suggests an emphasis on dynamism and modernity, aiming for clarity in short texts and display settings.
Round letters like O and 0 appear more like rounded squares, and many characters share a consistent corner radius that reinforces the systemized construction. Numerals follow the same logic, keeping the set cohesive for interfaces and data. The simplified shapes and steady stroke weight make the design feel controlled and engineered.