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Free for Commercial Use

Sans Superellipse Udmik 5 is a very bold, very narrow, low contrast, italic, tall x-height font visually similar to 'Dharma Gothic', 'Dharma Gothic Rounded', and 'Dharma Slab' by Dharma Type; 'Compacta' by ITC; 'Compacta SB' and 'Compacta SH' by Scangraphic Digital Type Collection; and 'Gazzetta' by TipoType (names referenced only for comparison).

Keywords: posters, headlines, sports branding, packaging, signage, sporty, urgent, assertive, dynamic, industrial, space saving, attention grabbing, speed emphasis, bold branding, impactful display, condensed, slanted, rounded, blocky, compact.


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A tightly condensed, heavy sans with a pronounced rightward slant and compact, vertically stretched proportions. Strokes are monolinear and dense, with corners and terminals consistently rounded into a rounded-rectangle/superellipse geometry, keeping counters small and sturdy. Curves (C, O, S) read as squared-off ovals, while vertical stems stay rigid and evenly weighted, creating a strong, compressed rhythm. The overall color is dark and continuous, with minimal internal whitespace and short, blunt terminals that reinforce the blocky silhouette.

Best suited to short, high-impact display use such as posters, bold headlines, sports or fitness branding, product packaging, and wayfinding or promotional signage. It can also work for logos and wordmarks where a compact, forward-moving silhouette is desirable, but it is less appropriate for long-form reading due to its dense texture.

The font projects speed and force—like signage and graphics designed to grab attention quickly. Its compressed, forward-leaning stance feels competitive and energetic, while the rounded corners soften the aggression just enough to keep it approachable. The tone is utilitarian and modern, suited to high-impact messaging rather than subtle editorial texture.

The design appears intended to deliver maximum presence in minimal horizontal space, combining a fast, slanted posture with rounded-rectangle construction for a cohesive, contemporary look. It prioritizes punchy silhouettes, tight rhythm, and uniform stroke weight to stay legible at a glance in graphic and branding contexts.

In text settings the tight fit and small counters create a solid typographic mass, especially in sequences with repeated verticals. Numerals match the same compact, rounded-rect construction, maintaining a consistent, punchy texture across mixed alphanumeric strings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸