Sans Superellipse Fokih 6 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Monton' by Larin Type Co, 'Brainy Variable Sans' by Maculinc, and 'Nulato' by Stefan Stoychev (names referenced only for comparison).
Keywords: sports branding, posters, headlines, apparel, packaging, sporty, assertive, energetic, modern, compact, impact, speed, athletics, branding, display, oblique, rounded corners, squared rounds, blocky, tight apertures.
A heavy, forward-slanted sans with a compact footprint and broadly squared, rounded-rectangle construction. Strokes are thick and consistent with minimal modulation, and most terminals are blunt or softly rounded rather than tapered. Curves (C, G, O, Q, S) read as squarish ovals with tightened apertures, while diagonals (A, K, V, W, X, Y) are steep and sturdy, creating a strong, punchy rhythm. Counters are relatively small for the weight, and spacing appears tuned for dense, headline-style setting.
Best suited to sports branding, team or event graphics, bold posters, and punchy headlines where impact matters more than long-form readability. It also fits product packaging, apparel marks, and short UI labels when a fast, high-energy tone is desired.
The overall tone is forceful and kinetic, with an unmistakably athletic, action-oriented feel. Its slant and compact forms suggest speed and urgency, while the rounded corners keep the voice contemporary rather than aggressive or sharp.
The design appears intended to deliver maximum impact through dense, rounded-rect geometry and a strong oblique stance, creating a sense of speed and power. Its simplified, low-modulation construction prioritizes bold silhouettes and consistent texture for display-driven typography.
Uppercase forms are uniform and block-like, with square shoulders and short crossbars that emphasize solidity. Numerals follow the same squarish, rounded logic, producing a consistent texture in mixed alphanumeric settings. The italic angle is pronounced enough to read as intentional display styling rather than incidental slant.