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Free for Commercial Use

Sans Superellipse Gemid 3 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Korolev' by Device, 'Armetica' by Hsan Fonts, 'Neusa Neu' by Inhouse Type, 'Posterman' by Mans Greback, 'DIN Next Paneuropean' by Monotype, 'PF DIN Text' by Parachute, and 'Merchanto' by Type Juice (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, sporty, urgent, punchy, industrial, retro, impact, speed, space saving, headline focus, brand presence, condensed, slanted, rounded corners, blocky, compact.


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A compact, slanted sans with heavy, uniform strokes and tightly controlled proportions. Curves and counters are built from rounded-rectangle geometry, giving bowls and terminals a squared-off, superelliptical feel rather than purely circular forms. The shapes are energetic and forward-leaning, with short apertures and dense counters that emphasize mass and solidity. Numerals and capitals read as poster-like blocks, while the lowercase keeps a straightforward, workmanlike structure with sturdy stems and minimal detailing.

Best suited to headlines, display typography, and short bursts of copy where impact matters—sports identity, event promotion, bold packaging callouts, and attention-grabbing signage. It can also work for compact subheads where a dense, forward-leaning texture is desired, but will feel heavy for extended reading at small sizes.

The overall tone is forceful and kinetic, projecting speed and impact. Its chunky, condensed rhythm and athletic slant suggest competitive, action-oriented messaging, while the rounded-corner geometry keeps it approachable rather than harsh.

The design appears aimed at delivering maximum visual punch in a compact footprint, combining a consistent slant with rounded-rectangle construction to create a fast, modern display voice that remains robust and highly legible at large sizes.

The tight internal spaces and compact widths create a strong texture in lines of text, favoring bold statements over delicate nuance. The italic angle is consistent across uppercase, lowercase, and figures, helping long headlines keep a unified, directional flow.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸