Sans Faceted Abmeh 9 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to '2 Quadro' by Apostrof, 'FF Golden Gate Gothic' by FontFont, 'Interrupt Display Pro' by T4 Foundry, 'Kop End' by Trequartista Studio, and 'Emmentaler' and 'Ravane' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, packaging, gothic, authoritative, industrial, athletic, retro, impact, heritage modernized, geometric carving, strong branding, angular, faceted, blocky, condensed, monolinear.
This typeface uses compact, vertical proportions and heavy, monolinear strokes that stay consistent across the alphabet. Curves are largely replaced by crisp planar cuts, producing chamfered corners and polygonal counters, especially in round letters and numerals. The shapes are built from straight segments with frequent 45° terminals, giving a carved, stenciled-without-gaps feel while remaining fully closed. Spacing appears moderately tight for the density of the forms, creating a solid, even texture in lines of text.
Best suited to short, high-impact settings such as headlines, posters, wordmarks, and large-format signage where its faceted construction can be appreciated. It can also work for labels and packaging that benefit from a dense, emphatic typographic color. For extended reading at small sizes, the heavy texture and sharp joins may feel intense, so it’s most effective as a display face.
The overall tone is forceful and formal, with a blackletter-adjacent presence translated into a clean, geometric, contemporary voice. Its sharp facets and dense silhouettes read as commanding and institutional, while also suggesting heritage signage and competitive sports graphics. The texture feels mechanical and resolute rather than delicate or conversational.
The design appears intended to merge gothic authority with a modern, engineered construction, replacing traditional curves with crisp cuts for a distinctive, rugged silhouette. It prioritizes strong presence, compactness, and a consistent angular logic to create instantly recognizable letterforms for branding and titles.
Capitals dominate visually due to their tall, rigid construction, and many letters lean on straight vertical stems to maintain a strong rhythm. Round characters like O/Q/0 are notably polygonal, which reinforces the faceted concept and keeps the family visually consistent. Numerals share the same chiseled terminals and enclosed geometry, supporting coherent headline and display use.