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Free for Commercial Use

Sans Faceted Abmeh 6 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'React BTL' by BoxTube Labs, 'Morgan Poster' by Feliciano, 'Exabyte' by Pepper Type, 'RBNo2.1' by René Bieder, 'ARB 66 Neon' by The Fontry, and 'Leverkusen' by Trequartista Studio (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, apparel, industrial, athletic, retro, assertive, mechanical, impact, space-saving, ruggedness, modernized retro, geometric consistency, octagonal, chamfered, blocky, condensed, modular.


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A heavy, condensed display sans built from straight strokes and clipped corners, replacing curves with crisp chamfers. Counters are compact and often squarish, with rectangular interior openings and tight apertures that keep the texture dense. Stroke weight is consistently thick across verticals, horizontals, and diagonals, producing a solid, uniform color in text. Many terminals and joins resolve into angled facets, giving round letters (like O/Q) an octagonal feel and adding a constructed, modular rhythm across the alphabet and numerals.

Best suited for short, high-impact settings such as headlines, posters, brand marks, product packaging, and apparel graphics where its hard-edged geometry can carry the message. It also works well for sports-style numbering, badges, labels, and other applications that benefit from compact width and strong presence.

The overall tone is bold and utilitarian, with a sporty, signage-like urgency. Its faceted geometry reads as engineered and rugged, evoking industrial labeling, athletic identifiers, and retro arcade or poster aesthetics. The condensed proportions and hard angles add a decisive, high-impact character.

The design appears intended to deliver maximum punch in a tight horizontal footprint while maintaining a cohesive, engineered look. By systematically chamfering corners and minimizing curvature, it aims for a sturdy, reproducible silhouette that stays recognizable in bold display contexts.

In continuous text the dense spacing and compact counters create a strong, dark mass, making the face most effective when given room to breathe (larger sizes or generous tracking). The numerals match the same clipped, structural logic, supporting consistent titling and numbering systems such as scores, codes, or short labels.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸