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Free for Commercial Use

Sans Normal Admih 6 is a regular weight, wide, low contrast, italic, normal x-height font visually similar to 'Pill Gothic' by Betatype, 'HD Node Sans' by HyperDeluxe, 'Ava Grand' by Matt Chansky, and 'Kommon Grotesk' by TypeK (names referenced only for comparison).

Keywords: branding, advertising, posters, ui, signage, clean, modern, dynamic, friendly, sporty, clarity, versatility, momentum, modernity, approachability, slanted, open apertures, humanist, rounded terminals, crisp.


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A slanted sans with open, rounded forms and a steady, low-contrast stroke. The shapes lean forward consistently and favor broad, circular counters (notably in C, O, and G) paired with straight, slightly tapered-looking strokes, producing a clean rhythm. Terminals read mostly as smooth, cut ends rather than calligraphic joins, and the overall proportions feel spacious, with generous sidebearings and clear interior space in letters like a, e, and s. Numerals are similarly open and straightforward, with simple curves and clear differentiation between figures.

It suits modern branding and advertising where a sense of motion is helpful without sacrificing readability. The open counters and clean construction make it a solid choice for headings, posters, short paragraphs, and product messaging, and it can also work in UI and signage contexts where quick recognition is important.

The font conveys a contemporary, energetic tone through its consistent forward slant and airy construction. Its rounded geometry keeps it approachable and friendly, while the crisp, uncluttered detailing reads as professional and utilitarian rather than decorative.

The design appears intended to deliver a contemporary italic voice that feels fast and current while staying neutral and highly readable. Its emphasis on open shapes, rounded geometry, and restrained detailing suggests a versatile workhorse aimed at general-purpose communication with a subtle sporty edge.

Across the sample text, word shapes remain even and legible, with clear separation between characters and a calm baseline rhythm despite the italic stance. Uppercase forms appear stable and simple, while lowercase maintains a plain, modern structure that prioritizes clarity over stylization.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸