Sans Normal Afluj 16 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Glimp' and 'Glimp Rounded' by OneSevenPointFive, 'Aago' by Positype, and 'Core Sans E' by S-Core (names referenced only for comparison).
Keywords: headlines, posters, branding, sports, tech ui, energetic, modern, sporty, confident, technical, emphasis, motion, impact, modernity, clarity, oblique, geometric, clean, compact, dynamic.
A slanted, heavy sans with rounded, geometric construction and smooth, uniform stroke weight. Curves are full and clean (notably in C/O/Q and the bowls of B/P/R), while terminals are crisply cut on an angle, reinforcing the forward lean. Counters are fairly open for the weight, with straightforward, utilitarian joins and a steady rhythm across uppercase, lowercase, and numerals. The overall texture reads dense and punchy, with minimal modulation and a distinctly streamlined silhouette.
Best suited to short-to-medium setting sizes where its slant and weight can deliver impact—such as headlines, posters, product branding, and campaign graphics. It can also work for emphatic UI labels, dashboards, or packaging where a modern, energetic tone is desired, though extended body text may appear visually dense at smaller sizes.
The typeface conveys speed and momentum through its oblique posture and sharp, angled endings, while the rounded geometry keeps it approachable rather than aggressive. It feels contemporary and performance-oriented, suggesting efficiency, motion, and a no-nonsense clarity.
The design appears intended as a modern, high-impact oblique sans that combines geometric roundness with sharp, angled terminals to create a sense of motion and confidence. Its consistent stroke behavior and simplified forms suggest a focus on legibility and strong graphic presence in display and branding contexts.
Uppercase forms feel stable and headline-ready, while the lowercase keeps a simple, modern skeleton with consistent spacing and rounded bowls. Numerals are sturdy and clear, matching the same oblique, cut-terminal logic for a cohesive set. The italic angle is strong enough to communicate motion without becoming overly calligraphic.