Font Hero

Free for Commercial Use

Sans Other Aphy 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Glendale' by Sarid Ezra, 'Gravita' by TipoType, and 'Moucha' by Vibrant Types (names referenced only for comparison).

Keywords: posters, headlines, logotypes, packaging, signage, industrial, stencil, retro, techno, graphic, distinctiveness, stencil effect, display impact, industrial tone, modular, geometric, monoline, notched, high-impact.


Free for commercial use
Customize the font name

A heavy, geometric sans with monoline strokes and squared terminals, built from simplified, modular shapes. Many glyphs feature deliberate interior breaks and vertical “keyline” cuts that create a stencil-like continuity across rounds and counters. Curves are broad and controlled, while diagonals are chunky and clean; bowls and apertures tend to be compact, giving the face a dense, poster-ready color. The lowercase mirrors the uppercase’s constructed logic, with single-storey forms and consistent, blocky join behavior that prioritizes silhouette over calligraphic detail.

Best suited to large-scale applications such as posters, headlines, event graphics, brand marks, packaging titles, and signage where the stencil breaks become a defining motif. It can also work for short UI labels or badges when used at sufficient size and with ample tracking to keep the cut details legible.

The overall tone is industrial and engineered, evoking signage, stamped lettering, and retro-futurist display typography. The repeated cutlines add a technical, machined character that reads as bold and assertive, with a slightly playful, graphic edge.

The design appears intended to deliver a high-impact sans that feels constructed and industrial, using systematic cutouts to differentiate it from standard grotesques. The goal seems to be strong recognition and graphic texture in display settings rather than neutral, continuous text color for long reading.

The stencil cuts are most prominent in rounded letters and figures, producing distinctive counters and a strong rhythm when set in words. Spacing appears tuned for display impact, and the broken forms can visually merge at smaller sizes, favoring larger settings where the notches remain crisp.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸