Sans Other Hudy 10 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Kinetika' by Monotype; 'Cogenta', 'Cogenta', and 'Cogenta Text' by SRS Type; 'Manifestor' by Stawix; 'Loew', 'Loew Next', and 'Loew Next Arabic' by The Northern Block; and 'Inovasi' by XdCreative (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, sportswear, industrial, stencil, techno, signage, impactful, distinctiveness, stencil utility, display impact, modern signaling, graphic rhythm, cutout, notched, geometric, blocky, monolinear.
A heavy, geometric sans with monolinear strokes and broad proportions. The defining feature is a consistent system of straight cutouts and notches—often appearing as vertical or horizontal gaps that interrupt bowls and stems—creating a stencil-like construction throughout capitals, lowercase, and figures. Curves are simplified into sturdy arcs with squared terminals, and counters tend to be large and open, helping the dense weight stay legible. Overall spacing looks compact but controlled, producing a strong, poster-friendly texture.
Best suited for large sizes where the stencil breaks and geometric mass can act as a visual signature—headlines, posters, logos, packaging, and bold campaign graphics. It can also work for short UI labels or signage-style applications where immediate recognition matters more than long-form reading comfort.
The repeated cutout motif gives the face an industrial, engineered tone that reads as utilitarian and modern. It feels assertive and slightly futuristic, with a display-forward presence reminiscent of labeling, equipment markings, and bold headline typography.
The design appears intended to deliver a bold sans foundation with a systematic cutout treatment, adding a functional stencil flavor while keeping the letterforms simple and highly reproducible. The goal is a distinctive display voice that stays coherent across caps, lowercase, and numerals.
The cutouts are applied in a deliberately uniform way across many glyphs (notably rounded forms and several numerals), which creates a distinctive rhythm in running text. The shapes remain clean and highly graphic, favoring simple geometry over calligraphic nuance.