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Free for Commercial Use

Sans Superellipse Pibir 3 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Block Capitals' by K-Type, 'Evanston Tavern' by Kimmy Design, 'Nulato' by Stefan Stoychev, and 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).

Keywords: headlines, posters, branding, sports graphics, ui labels, techno, industrial, sporty, utilitarian, futuristic, impact, modernity, precision, compactness, consistency, squared, rounded corners, condensed feel, closed apertures, high contrast counters.


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A sturdy sans with squared, rounded-rectangle construction and consistently heavy strokes. Curves are replaced by softened corners and superellipse-like bowls, giving letters a compact, engineered geometry. Counters tend to be rectangular and fairly tight, apertures are relatively closed, and terminals are mostly flat with rounded joins. Proportions skew slightly condensed in many shapes, with clean, uniform rhythm and a strong, blocky texture in text.

Well-suited for bold headlines, posters, and branding that benefits from a geometric, tech-forward voice. It can work effectively for UI labels, packaging, and wayfinding-style applications where sturdy forms and consistent geometry help maintain clarity at medium-to-large sizes.

The overall tone is modern and functional, leaning toward a technical, machine-made aesthetic. Its squared forms and tight counters suggest control and precision, with an energetic, sporty edge that reads confidently at display sizes.

The design appears intended to deliver a compact, high-impact sans built from rounded-rectangular forms, prioritizing visual strength and a contemporary industrial feel. Its consistent geometry and tight counters suggest a focus on logos, display typography, and assertive graphic communication.

Uppercase forms are particularly boxy and compact, while lowercase maintains the same squared logic with single-storey shapes (notably a and g) and simplified construction. Numerals follow the same rounded-rectangle theme, producing a cohesive, signage-like set. The dense color and closed shapes can feel intense in long passages, but they create strong impact in headings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸