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Free for Commercial Use

Sans Superellipse Etmoj 2 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Ramsey' by Associated Typographics (names referenced only for comparison).

Keywords: sports branding, automotive, technology ui, gaming, posters, sporty, futuristic, technical, energetic, sleek, convey speed, modernize, engineered clarity, display impact, brandable, slanted, squared-round, condensed feel, angular, compact.


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A slanted sans with a squared-round construction: curves resolve into rounded rectangles and superellipse-like counters, while straights and diagonals stay crisp and uniform in thickness. Terminals are mostly blunt with softened corners, giving letters a compact, engineered silhouette. Proportions feel tight and efficient, with narrow apertures and boxy bowls (notably in O/Q/0 and a/o), and a rhythm built from consistent stroke widths and steady italic shear. Figures echo the same rounded-rect geometry, reading cleanly and firmly at display sizes.

Well-suited to headlines, logos, and identity systems that need a sense of speed and engineered confidence—sports teams, automotive themes, gaming titles, and tech product branding. It can also work for UI labels and interface graphics where a compact, slanted sans helps convey motion and modernity, though its distinctive forms are most impactful at medium-to-large sizes.

The overall tone is fast, modern, and purpose-built—more “performance” than “friendly.” Its slant and squared-round forms suggest motion and precision, lending a contemporary, tech-forward character that feels at home in dynamic branding and equipment-like interfaces.

The design appears intended to merge an italic, forward-leaning stance with rounded-rect geometry for a contemporary, performance-oriented sans. By keeping contrast low and shapes consistently squared-round, it aims for a clean, technical voice that remains bold in silhouette without relying on ornament or stroke modulation.

Round forms lean toward rectangular counters rather than true circles, and many joins are simplified for a streamlined, mechanical look. The uppercase set reads sturdy and compact, while the lowercase keeps the same geometry with minimal modulation, supporting a cohesive, system-like voice across text and numerals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸