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Slab Contrasted Ihjy 4 is a bold, wide, medium contrast, italic, normal x-height font visually similar to 'Archer' by Hoefler & Co., 'Brignell Slab' by IB TYPE Inc., 'Equitan Slab' by Indian Type Foundry, and 'Madley' by Kimmy Design (names referenced only for comparison).

Keywords: headlines, posters, branding, magazine, packaging, retro, editorial, sporty, energetic, confident, display impact, headline voice, retro revival, editorial punch, brand presence, bracketed, sturdy, chunky, ink-trap feel, soft terminals.


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A heavy, right-leaning slab-serif with broad proportions and compact, punchy counters. Serifs are thick and strongly bracketed, producing a carved, sturdy silhouette, while strokes show noticeable but not extreme thick–thin modulation. Curves are generous and slightly bulbous, with occasional teardrop-like terminals and small notches that give an ink-trap-adjacent bite in joins. The lowercase is round and weighty with a clear two-storey "g" and a looping "j" descender; figures are similarly robust, with wide, open shapes and prominent slabs.

Best suited to headlines, subheads, posters, and brand marks where a strong, attention-grabbing voice is needed. It also works well for editorial display settings and packaging fronts that benefit from a vintage-meets-modern slab presence. For long passages, it will likely be most comfortable in short bursts (pull quotes, intros, captions) due to its dark color and pronounced features.

The overall tone feels assertive and energetic, combining a classic editorial seriousness with a retro display flair. Its slanted posture and chunky slabs evoke vintage headlines, collegiate/sport influences, and bold print-era typography that reads as confident and slightly playful rather than delicate.

The design appears intended to deliver a bold, high-impact slab-serif italic for display typography—balancing sturdy, bracketed slabs with rounded, lively curves to create a distinctive headline tool that feels classic yet animated.

The rhythm is dense and dark, with strong horizontal emphasis from the slab serifs and a consistent forward motion from the italic angle. Large sizes show off the sculpted joins and bracket transitions particularly well, while the broad letterforms keep words from feeling cramped even at heavy weight.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸