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Free for Commercial Use

Sans Normal Juduh 7 is a regular weight, normal width, medium contrast, italic, normal x-height font visually similar to 'Clarina Sans' by Asritype, 'Conamore' by Grida, 'JAF Bernini Sans' by Just Another Foundry, 'Dialog' and 'Sinova' by Linotype, 'Foundry Form Sans' by The Foundry, and 'NuOrder' by The Northern Block (names referenced only for comparison).

Keywords: branding, editorial, headlines, ui text, packaging, sporty, dynamic, clean, confident, modern, add emphasis, convey motion, modernize tone, support branding, improve clarity, oblique, geometric, rounded, crisp, compact.


Free for commercial use
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This typeface is a clean, italic sans with a consistent rightward slant and smooth, rounded construction. Strokes are largely uniform with subtle optical modulation, and terminals are cleanly cut, producing sharp joins and crisp silhouettes. Uppercase forms are broad and stable, while lowercase shows a compact, contemporary skeleton with single-storey a and g and rounded counters. Numerals are straightforward and open, matching the letterforms’ even rhythm and slightly forward-leaning momentum.

It works well for branding and marketing that benefits from a sense of motion—sports, tech, and contemporary lifestyle applications in particular. The clean shapes also suit UI labels, short paragraphs, and editorial subheads where an italic voice is needed without becoming ornate or calligraphic.

The overall tone is energetic and contemporary, with a purposeful, forward-moving feel typical of oblique sans typography. Its smooth curves and tidy spacing keep it approachable and neutral, while the slant adds urgency and motion suitable for active, modern messaging.

The design appears intended as a practical, modern italic sans that reads cleanly while conveying momentum. It prioritizes smooth geometry, consistent slant, and straightforward, contemporary lowercase forms to provide an energetic emphasis style for both display and general-purpose typography.

Letterforms maintain a tight, efficient footprint, and the italic angle is applied consistently across caps, lowercase, and figures, giving lines of text a cohesive, streamlined flow. The design favors clarity over personality-driven quirks, making it feel systematized and dependable in continuous text and headings alike.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸