Serif Normal Ollon 2 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Ador' by Fontador, 'Mute' and 'Mute Arabic' by Indian Type Foundry, 'Mestiza Sans' by Lechuga Type, 'Accia Flare' by Mint Type, and 'Foreday Semi Sans' by Monotype (names referenced only for comparison).
Keywords: body text, editorial, books, reports, academic, classic, bookish, formal, traditional, literary, readability, text setting, tradition, editorial tone, utility, bracketed, flared, crisp, robust, oldstyle.
This serif typeface has sturdy, moderately bracketed serifs and softly tapered terminals that keep the texture calm and continuous in paragraph settings. Curves are generously rounded, joins are smooth, and the overall modeling feels even rather than sharply chiseled, producing a steady rhythm across lines. The capitals are balanced and conventional, while the lowercase shows traditional proportions with a clear two-storey “a” and “g” and a readable, open “e.” Numerals are solid and workmanlike, with familiar shapes and consistent weight across the set.
Well suited for body text in books and long-form editorial layouts where an even serif texture and familiar letterforms support comfortable reading. It also fits reports, academic material, and other formal documents that benefit from a traditional, dependable typographic tone, while remaining capable for headings when set larger.
The overall tone is classic and bookish, with a composed, editorial presence that reads as established and trustworthy. It suggests traditional print typography—serious without feeling rigid—and supports a measured, literary voice.
The design appears intended as a conventional text serif that prioritizes readability and typographic neutrality, using familiar proportions and bracketed serifs to create a stable, continuous reading color. Its restrained styling aims to blend into content while still conveying a classic, print-oriented character.
Serifs and terminals retain enough firmness to stay crisp at display sizes, while the restrained detailing keeps long passages from looking busy. The italic is not shown, so the personality here is defined by an upright, text-focused roman with consistent, conventional forms.