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Free for Commercial Use

Sans Normal Odbov 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Myriad' by Adobe, 'Geometria' by Brownfox, 'Avenir Next Paneuropean' by Linotype, 'Belle Sans' by Park Street Studio, and 'Aksen' by Tokotype (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, friendly, punchy, modern, playful, impact, approachability, clarity, modernity, rounded, blunt, stout, compact, clean.


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A heavy, rounded sans with compact proportions and soft, circular bowls paired with blunt terminals. Strokes are consistently thick and even, with minimal modulation and generous interior counters that keep letters open at display sizes. Curves are smooth and geometric-leaning, while joints and diagonals (as in K, M, N, V, W, X) are simplified and sturdy, producing a solid, blocky rhythm. The lowercase shows a single-storey a and g, a round i/j dot, and generally broad, approachable shapes; numerals are robust and highly legible with simple, un-fussy construction.

Best suited to display applications where strong typographic presence is needed, such as headlines, poster copy, brand marks, packaging, and signage. It can also work for short UI labels or callouts when a bold, friendly tone is desired, especially with adequate spacing and size to preserve clarity.

The overall tone is assertive and energetic, with a friendly, approachable warmth from the rounded geometry. It feels contemporary and straightforward—designed to grab attention without becoming edgy or technical. The weight and soft shaping give it a playful, crowd-pleasing presence suited to bold messaging.

The design appears intended to deliver maximum impact with minimal fuss: a bold, rounded sans built around simple geometry and consistent stroke weight. Its forms prioritize immediate legibility and a welcoming, modern voice, making it suitable for attention-grabbing typography that still feels approachable.

In text settings the dense color and compact forms create strong emphasis, with tight-feeling apertures in letters like e and s that read best when given a bit of breathing room. The glyphs maintain a consistent visual mass across uppercase, lowercase, and figures, supporting uniform, headline-like impact.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸