Sans Superellipse Kuza 7 is a bold, very wide, monoline, upright, normal x-height font.
Keywords: headlines, logos, wordmarks, posters, app ui, futuristic, tech, industrial, sporty, bold, display impact, tech aesthetic, geometric system, modern branding, rounded corners, squared forms, extended, geometric, streamlined.
A heavy, extended sans with rounded-rectangle construction and consistent stroke thickness. Curves are largely treated as softened corners and superelliptical bowls, giving counters a squarish, inset feel (notably in O, D, and 0). Terminals are clean and rounded, and joints stay crisp, producing a smooth, machined rhythm. The design favors wide proportions, low contrast, and compact internal apertures, with simplified forms for diagonals and a clear, open uppercase structure.
Best suited for display typography such as headlines, titles, posters, and branding where its wide, rounded-square shapes can read as intentional and contemporary. It also fits interface headers, product labels, and tech or gaming-themed graphics where a clean, engineered voice is desirable. For longer text, it will be most effective in short bursts (subheads, pull quotes) due to its dense counters and strong presence.
The overall tone is contemporary and engineered, with a sleek, sci‑fi/tech flavor. Its wide stance and softened-square geometry suggest speed, equipment branding, and digital interfaces rather than editorial warmth. The look feels confident and utilitarian, leaning toward modern industrial design and esports/sports presentation.
The design intention appears to be a modern, geometric display sans built from rounded-rectangle primitives, aiming for a sleek, technical personality with strong impact. By keeping strokes uniform and forms squared yet softened, it balances a futuristic aesthetic with friendly rounding for versatile branding use.
Several glyphs emphasize geometric simplification: the lowercase a is single-storey and the g is single-storey with a squared bowl; the Q uses a short, angled tail; and the numeral set shares the same rounded-rect logic (notably 0 and 8 with rectangular counters). The uppercase A has a distinctive crossbar treatment that reinforces the squared, modular system. Spacing appears generous enough to keep dense shapes from clogging in display sizes, though the tight counters make very small sizes look more compact.