Sans Superellipse Esboz 1 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Bronkoh' by Brink, 'FF Zwo' by FontFont, 'Nogal' by TipoType, and 'Obvia' by Typefolio (names referenced only for comparison).
Keywords: ui labels, branding, headlines, wayfinding, posters, modern, friendly, efficient, clean, technical, clarity, approachability, contemporary, emphasis, systematic, rounded, oblique, compact, open apertures, crisp terminals.
This is an oblique sans with rounded, superelliptical construction and smooth curves that read as softened rectangles rather than pure circles. Strokes are even and low-contrast, with clean joins and a steady rhythm across capitals, lowercase, and figures. The uppercase set is straightforward and slightly compact, while the lowercase shows clear, utilitarian shapes (single-storey a, simple g) with open counters and generous internal space for legibility. Numerals are clear and contemporary, with consistent stroke weight and rounded curves that match the letterforms.
It suits interface labels, dashboards, and product typography where a clean sans with softened geometry improves friendliness without sacrificing clarity. The slanted structure also works well for short headlines, brand lockups, and signage where a sense of motion or emphasis is desirable.
The overall tone is modern and approachable, combining a technical, UI-like clarity with softened geometry that keeps it from feeling cold. The oblique slant adds energy and forward motion, making the face feel active and contemporary rather than formal.
The design appears intended to deliver a contemporary, geometric-leaning sans optimized for clear reading at a range of sizes, while using rounded superelliptical curves to create a more approachable, product-oriented voice. The oblique stance suggests emphasis and dynamism as a default, making it well suited to modern communication and digital-forward identities.
Round forms like C, O, Q, and G emphasize the superellipse feel, with subtly squared curvature that keeps silhouettes tidy. Diagonal-heavy letters (K, V, W, X, Y) maintain a consistent angle and crisp endpoints, supporting a uniform, controlled texture in text.