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Free for Commercial Use

Sans Superellipse Abmas 4 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Macho Modular' by CAST, 'Acto' by Monotype, 'Nauman Neue' by The Northern Block, 'Scatio' by Wahyu and Sani Co., and 'Ranelte' by insigne (names referenced only for comparison).

Keywords: ui text, wayfinding, branding, editorial, packaging, clean, modern, neutral, friendly, pragmatic, clarity, versatility, modernity, systematic design, legibility, geometric, rounded, smooth, even, sturdy.


Free for commercial use
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A clean sans serif with geometric construction and softly rounded, superellipse-like curves. Strokes are even and sturdy with minimal modulation, and terminals are predominantly squared-off with subtle rounding that keeps the texture smooth. Proportions feel balanced and contemporary: round letters like O and Q are wide and stable, the bowls in B/P/R are compact and consistent, and diagonals in A/V/W/X are crisp without looking sharp. Lowercase forms are straightforward and legible, with a single-storey a and g, open apertures, and a compact, workmanlike rhythm. Numerals are clear and utilitarian, with simple shapes and generous counters that hold up in text settings.

This font suits interface and product typography where clarity and an even typographic color are priorities. Its geometric-but-rounded forms also make it a good fit for contemporary branding, signage, and editorial layouts that need a clean voice without looking overly clinical.

The overall tone is modern, neutral, and dependable—more functional than expressive. Rounded geometry adds a mild friendliness while preserving a professional, systematic feel suited to everyday communication.

The likely intention is a versatile, modern sans built around rounded-rectangle geometry: clear at text sizes, steady in rhythm, and visually calm across a wide range of everyday applications.

The design maintains a steady color across mixed-case text, with clear differentiation between similar shapes (for example, I vs l and O vs 0 through proportion and detailing). Punctuation and curves stay restrained, emphasizing clarity and consistency over stylistic flair.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸