Print Ibkap 10 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Laqonic 4F' by 4th february, 'Skate' by DearType, 'Higakles' by Edignwn Type, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: posters, headlines, logos, packaging, stickers, playful, retro, crafty, chunky, friendly, handmade feel, bold impact, space-saving, retro flavor, casual display, rounded, soft, blobby, irregular, hand-drawn.
A compact, heavy display face with softly rounded terminals and subtly uneven, hand-drawn contours. Strokes stay largely monoline, forming tall, narrow letterforms with squared-off counters and small apertures that give the shapes a stamped, cutout feel. Curves are slightly flattened and corners are gently bulged, producing a consistent “puffy” silhouette across caps, lowercase, and numerals. Spacing reads fairly tight and the rhythm is dense, with simplified details and a sturdy baseline presence.
Best suited to short, bold text such as posters, headlines, logos, and product packaging where its chunky silhouettes can carry the message. It also works well for playful labels, stickers, and social graphics, and can be effective in children-oriented or retro-themed designs when set with generous size and spacing.
The overall tone is warm and humorous, with a casual, DIY confidence that feels reminiscent of retro packaging and handmade signage. Its chunky forms and imperfect edges project approachability and a lighthearted, slightly quirky personality rather than precision or formality.
The design appears intended to mimic informal, hand-rendered block lettering with a soft, inked or stamped edge, prioritizing personality and impact over fine detail. Its narrow, compact build suggests a goal of fitting bold titles into limited horizontal space while keeping a friendly, crafted look.
Uppercase and lowercase share a unified, simplified construction, and the numerals follow the same compact, blocky logic for cohesive titling. The dense fill and small interior spaces make it most effective when given breathing room (larger sizes or increased tracking), especially in words with repeated vertical strokes.