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Free for Commercial Use

Sans Superellipse Fyrer 5 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Bulldog' and 'Bulldog Std' by Club Type, 'Tabloid Edition JNL' by Jeff Levine, 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, sporty, energetic, confident, urgent, modern, attention grabbing, speed emphasis, brand impact, display clarity, slanted, oblique, compact, punchy, rounded.


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A heavy, right-slanted sans with compact proportions and a muscular, poster-friendly presence. Strokes are broadly consistent with slightly sculpted joins, and curves are built from rounded-rectangle geometry rather than pure circles, giving counters a squared-off softness. Terminals are clean and blunt, with tight apertures and sturdy bowls that keep the silhouette dense. The lowercase shows simple, single-storey forms and a strong, forward-leaning rhythm that stays even across the alphabet and figures.

Best suited to display work where immediate impact matters: headlines, posters, sports or fitness branding, promotional graphics, packaging fronts, and bold signage. It can also work for short UI labels or buttons when a forceful, energetic voice is desired, especially at medium to large sizes.

The overall tone is fast, assertive, and contemporary, with a “go” feeling driven by the pronounced slant and dense black color. It reads like a performance-oriented style—confident and attention-grabbing—without looking decorative or quirky. The rounded-rectangular curves add a friendly, engineered polish that keeps the boldness feeling controlled rather than rough.

The design appears intended to deliver maximum visual punch in an italicized, motion-forward voice while maintaining a clean sans structure. Rounded-rectangle curves and sturdy, compact letterforms aim for a modern, engineered look that remains approachable and consistent across letters and numerals.

The slant is prominent enough to suggest motion in headlines, and the tight counters/apertures favor impact over small-size clarity. Numerals match the same compact, weighty construction, supporting consistent emphasis in scorelines, pricing, and callouts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸