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Free for Commercial Use

Stencil Gery 9 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Nu Sans' by Typecalism Foundryline (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, wayfinding, industrial, utilitarian, technical, modernist, signage, stencil styling, industrial voice, system labeling, display impact, geometric, high-contrast cuts, crisp, mechanical, modular.


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A geometric sans with crisp, stencil-like interruptions that split many curves and joins with consistent vertical and horizontal bridges. Strokes stay clean and even, with squared terminals and a restrained, engineered construction that mixes straight segments with round bowls. The cutouts are prominent and systematic, creating a segmented rhythm in letters like O, C, G, S, and several numerals; diagonals (A, V, W, X, Y, Z) remain sharp and angular. Overall proportions feel balanced and legible, with slightly squared counters and a tidy, print-ready silhouette.

Well-suited to posters, headlines, and branding where a stencil aesthetic helps establish a functional, industrial voice. It also fits packaging, wayfinding, and system labels where the segmented forms can reinforce a technical or utilitarian theme, especially at medium to large sizes.

The broken strokes and measured geometry give the typeface an industrial, technical tone associated with labeling, manufacturing, and engineered systems. It reads as purposeful and modern, with a hint of tactical or institutional character due to the repeated stencil bridges.

The design appears intended to deliver a clean, modern sans foundation while introducing clear stencil bridges for a rugged, production-oriented identity. The consistent placement and scale of the breaks suggest a focus on uniform texture and quick recognition in display applications.

The stencil breaks are large enough to be a primary stylistic feature, producing distinctive word shapes and strong texture in headline settings. In dense text, the repeated gaps create a lively pattern that can feel punchy and attention-grabbing rather than purely neutral.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸