Stencil Ukbu 2 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Live Grotesk' by Matt Chansky, 'Reyhan' by Plantype, 'Peter' by Vibrant Types, and 'Cern' by Wordshape (names referenced only for comparison).
Keywords: posters, headlines, branding, signage, packaging, industrial, technical, futuristic, military, mechanical, stencil utility, modern labeling, graphic impact, tech styling, slanted, geometric, crisp, cutout, angular.
A slanted, geometric stencil design with clean, sharply cut terminals and consistent stroke thickness. Many letters are interrupted by narrow bridges and split counters, creating clear cutouts through bowls and joins while maintaining solid, compact silhouettes. Curves are simplified and slightly squared-off in places, and the overall rhythm feels engineered, with deliberate gaps repeating across capitals, lowercase, and figures.
Well-suited for display applications where the stencil bridges can be read as a graphic motif, such as posters, headlines, brand marks, packaging, and signage. It can also work for short technical callouts or interface-style titling where an engineered, labeled feel is desired, especially at medium to large sizes.
The repeated cutouts and precise, slanted construction give the font a utilitarian, industrial tone with a contemporary, tech-forward edge. It reads as assertive and functional, evoking labeling, equipment marking, and engineered surfaces rather than literary or ornamental typography.
The design appears intended to deliver a modern stencil voice that feels precise and manufactured, using consistent bridges and slanted geometry to create a cohesive, high-impact texture across the alphabet and figures.
Capitals have a strong, display-like presence with distinctive broken strokes in round forms (such as O/Q) and in key joins of letters like E, G, and S. Numerals mirror the same stencil logic, with prominent internal breaks that keep forms recognizable while emphasizing the cutout aesthetic. The sample text shows that the stencil interruptions remain legible at larger sizes, where the bridges become a defining texture.