Sans Superellipse Esbis 3 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Moris' by Katatrad, 'Famiar' by Mans Greback, 'Lytiga Pro' by Mint Type, 'Nauman Neue' by The Northern Block, 'Kongress' by Tipo Pèpel, and 'Ranelte' by insigne (names referenced only for comparison).
Keywords: branding, editorial, posters, packaging, ui, modern, dynamic, sporty, approachable, clean, add motion, modernize, soften geometry, improve clarity, brand distinctiveness, slanted, rounded, monoline, soft corners, open counters.
A slanted, monoline sans with rounded-rectangle (superellipse-like) curves and gently softened corners throughout. Letterforms are compact and tidy with open apertures, smooth joins, and a consistent stroke thickness that keeps texture even in text. Uppercase shapes stay simple and geometric, while lowercase forms maintain clear, contemporary constructions; the single-storey-style "a" and straightforward bowls and shoulders reinforce the clean, engineered feel. Numerals follow the same rounded geometry, producing a cohesive, slightly streamlined rhythm across the set.
Works well for brand identities, headlines, and marketing copy where a modern, forward-leaning voice is desired. The even stroke and open shapes also suit UI labels and product interfaces, while the energetic slant makes it effective in posters, packaging, and short editorial features.
The overall tone is contemporary and energetic, with the italic slant adding motion and a mild sense of speed. Rounded geometry keeps it friendly and accessible rather than aggressive, making it feel modern, practical, and lightly sporty.
Likely designed to deliver a contemporary italic sans that feels fast and polished without becoming sharp or technical. The superellipse-based rounding and consistent strokes suggest an aim for clean legibility paired with a distinctive, dynamic silhouette.
The slant is steady and the curves are notably squared-off at their extremes, creating a controlled “rounded rectangle” personality rather than purely circular forms. Spacing appears balanced and even, helping the face remain legible in longer lines despite its dynamic angle.