Hollow Other Byga 1 is a very bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Metcon' by Comicraft, 'Oktah Round' by Groteskly Yours, 'Averta Standard PE' by Intelligent Design, 'Linotte' by JCFonts, 'Sebino Soft' by Nine Font, 'Mundial Narrow' by TipoType, and 'Artico Soft' by cretype (names referenced only for comparison).
Keywords: headlines, posters, packaging, kids branding, stickers, playful, bubbly, retro, cartoonish, chunky, attention grab, add texture, friendly display, decorative styling, rounded, soft terminals, bulbous, stencil-like, inline cutouts.
A heavy, rounded display face built from soft, bulbous strokes and broadly curved joins. Forms are compact and friendly, with generous curves in bowls and counters and minimal sharp corners. The distinctive feature is a repeating pattern of small internal knockouts and edge notches that read like an inline highlight or stencil-style cut, creating a lively, high-contrast rhythm within otherwise solid shapes. Uppercase and lowercase share a consistent, simplified construction, and figures follow the same chunky geometry for a cohesive set.
Best suited for short, bold copy where the internal cutouts can be appreciated—headlines, posters, product packaging, and playful branding. It can also work well for event graphics, thumbnails, or merchandise-style applications where a bubbly, high-impact wordmark is needed.
The overall tone is cheerful and bold, with a toy-like, cartoon sensibility. The cutout detailing adds a mischievous, animated energy—part bubble lettering, part playful stencil—making the face feel attention-grabbing and informal rather than corporate or restrained.
The design appears intended to deliver maximum visual impact with friendly, rounded silhouettes while adding character through decorative internal cutouts. The approach suggests a display-first font aimed at expressive titles and branded phrases rather than dense text composition.
The inline cutouts are most noticeable at larger sizes, where they create sparkle and texture across words; at smaller sizes they may visually merge into the strokes. Round letters like O, C, and G emphasize the font’s soft geometry, while diagonals (V, W, X, Y) keep a cushioned feel through rounded ends and thick junctions.