Hollow Other Byba 8 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Linotte' by JCFonts, 'Cobbler Sans' by Juri Zaech, 'Montio' by Katatrad, 'Sebino Soft' by Nine Font, and 'Mundial Narrow' by TipoType (names referenced only for comparison).
Keywords: logos, posters, packaging, headlines, kids media, playful, bouncy, cartoonish, friendly, retro, attention-grabbing, whimsy, dimensionality, decorative, rounded, chunky, soft corners, bubble, inline cutouts.
A chunky, rounded display face with heavy, soft-edged strokes and a lively, slightly uneven rhythm. Many glyphs include distinctive internal inline cutouts—small knocked-out slits and highlights that sit near outer curves and terminals—giving the letters a hollowed, dimensional look without reducing overall weight. Counters are generally large and rounded, joins are smooth, and terminals tend to be blunted or pill-shaped. The numeral set matches the same bulbous construction and cutout detailing, keeping a consistent silhouette across the alphabet.
Best suited to logos, posters, packaging, and short headline settings where the bold silhouettes and decorative cutouts can be appreciated. It also fits playful branding, children’s media, event graphics, and social content where a friendly, high-impact voice is needed. For body copy, larger sizes and generous leading help keep the interior detailing from cluttering the texture.
The overall tone is upbeat and approachable, with a toy-like, hand-finished feel. The cutout “shine” details read as playful and decorative, pushing the font toward a whimsical, snackable personality rather than a sober, editorial voice.
The design appears intended as an attention-grabbing display font that combines bubble-like forms with ornamental hollowed accents to add depth and character. The consistent inline cutouts suggest a deliberate “shiny” or dimensional styling meant to stand out in branding and titling contexts.
In longer text, the repeated internal cutouts create a sparkling texture that becomes a major part of the page color; spacing and shapes feel intentionally buoyant rather than strictly geometric. Round letters (O, Q, 8, 9) emphasize the inline knockout motif most strongly, which can become visually busy at smaller sizes.