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Sans Superellipse Pymop 5 is a bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Hagia Pro' by Studio Fat Cat, 'Nuber Next' by The Northern Block, and 'Lektorat' by TypeTogether (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, branding, condensed, industrial, assertive, utilitarian, modernist, space saving, impact, clarity, modern utility, monolinear, squared-round, compact, vertical, high-impact.


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A condensed, monolinear sans with strongly vertical proportions and squared-round (superellipse-like) curves. Strokes are uniform and sturdy, with compact counters and tight apertures that keep forms dense and efficient. Rounds (C, O, S) read as rounded-rectangular rather than purely circular, while joins and terminals stay clean and unornamented. The lowercase uses a single-storey a and g, with short, functional arms and minimal modulation; numerals follow the same narrow, upright rhythm for a cohesive texture in text.

Best suited to space-efficient display settings where you need maximum impact in a narrow measure—headlines, posters, editorial titling, packaging, and wayfinding. It can also work for short UI labels or dashboards where a compact, punchy label style is desirable, rather than extended body copy.

The overall tone is direct and no-nonsense, with an industrial, engineered feel. Its compressed width and dense shapes convey urgency and confidence, reading more like signage and headlines than a relaxed reading face.

The design appears intended to deliver a compact, high-density sans for attention-grabbing typography, pairing uniform stroke weight with superellipse-like curves to keep the voice contemporary and functional while remaining visually distinctive.

The condensed fit creates a strong vertical cadence and high word-shape contrast, especially in mixed case. The tight interior space in letters like e, a, s, and 8 suggests it will appear darkest in small sizes or on coarse output, while at larger sizes the squared-round geometry becomes a defining stylistic cue.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸