Sans Superellipse Kiha 8 is a regular weight, very wide, medium contrast, italic, normal x-height font visually similar to 'FP Head Pro' by Fontpartners (names referenced only for comparison).
Keywords: headlines, branding, logos, posters, sports graphics, futuristic, sporty, sleek, technical, dynamic, modernization, motion, tech branding, display impact, systematic geometry, rounded, oblique, extended, streamlined, soft-cornered.
A streamlined oblique sans with broad proportions and a superelliptical construction. Strokes are monolinear to mildly modulated, with rounded terminals and softened corners that create a continuous, aerodynamic flow. Counters tend toward rounded-rectangular shapes, and curves connect with gentle, controlled transitions rather than sharp joins. The overall spacing feels open and horizontal, with letterforms designed to read cleanly at larger sizes while maintaining a consistent, smooth rhythm across the alphabet and numerals.
Best suited to headlines, short bursts of text, and identity work where width and slant can signal speed and modernity. It fits product branding, sports or automotive-style graphics, UI titles, and tech marketing where a sleek geometric voice is needed. For longer passages, it will be most comfortable at generous sizes and with spacing tuned for its extended forms.
The font projects a modern, forward-leaning energy that reads as fast, engineered, and contemporary. Its rounded geometry keeps the tone friendly and approachable, while the extended width and slant add motion and a performance-minded character. Overall it feels tech-adjacent and slightly retro-futuristic, like branding tied to speed, tools, or digital products.
The design appears intended to merge a geometric rounded-rectangle skeleton with an energetic oblique stance, creating a distinctive display sans that feels engineered and contemporary. The consistent rounding and open horizontal proportions suggest an emphasis on smooth readability and a cohesive, system-driven look across letters and figures.
Round letters like O and Q appear more like softened rectangles than perfect ovals, reinforcing the geometric system. The numerals echo the same rounded-corner logic, with simplified, clean silhouettes suited to display settings. The italic angle is consistent and contributes more to a sense of motion than calligraphic influence.