Sans Superellipse Fobaz 2 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Neuron' and 'Neuron Angled' by Corradine Fonts, 'FF Sanuk' and 'FF Sanuk Big' by FontFont, 'Klint' by Linotype, 'PTL Notes Style' by Primetype, and 'Palestina' by Tipo (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, sporty, dynamic, friendly, confident, contemporary, attention-grabbing, modernization, approachability, display impact, brand presence, rounded, chunky, soft corners, compact, punchy.
A heavy, right-leaning sans with rounded-rectangle construction and soft, superelliptic curves. Strokes are thick and even with minimal contrast, and terminals are generally blunt or softly chamfered, creating a compact, blocky texture. Counters stay fairly open for the weight, while bowls and shoulders favor squarish geometry over perfect circles. The overall rhythm is energetic, with sturdy proportions and slightly condensed-feeling shapes in capitals and figures.
Best suited for short, high-impact settings such as headlines, posters, apparel graphics, and brand marks where a strong, rounded voice is desirable. It can also work for packaging and signage that benefits from bold visibility and an approachable tone, especially at medium to large sizes.
The tone is upbeat and assertive, with a sporty, forward-moving slant and a friendly softness from the rounded corners. It reads as modern and approachable rather than formal, projecting confidence without sharp aggression. The heavy color makes it feel impactful and promotional, suited to attention-grabbing messaging.
The design appears intended to combine the immediacy of a heavy italic sans with softened, rounded geometry for a contemporary, friendly presence. Its superelliptic structure and strong weight suggest a focus on display communication—fast, loud, and readable—while keeping a smooth, modern finish.
Capitals appear wide-set and stable with squared curvature (notably in C/G/O/Q), while diagonals and joins (K/V/W/X/Y) stay thick and robust. Numerals are substantial and simplified, matching the same rounded-rectilinear logic for consistent emphasis in mixed text.