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Free for Commercial Use

Serif Normal Atry 5 is a very bold, wide, high contrast, italic, normal x-height font visually similar to 'Elanor' by Dirtyline Studio (names referenced only for comparison).

Keywords: headlines, posters, editorial, branding, packaging, dramatic, classic, assertive, literary, retro, display impact, classic flavor, expressive italic, editorial voice, bracketed, swashy, calligraphic, angled stress, ball terminals.


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A heavy, right-slanted serif with pronounced thick–thin modulation and a lively, calligraphic stroke model. Serifs are bracketed and often sharpen into small wedges, with occasional ball terminals and curled entry/exit strokes that add motion. Counters are relatively compact for the weight, and the overall texture reads dense and emphatic, with a rhythmic forward lean and slightly irregular, hand-cut energy. Numerals match the letterforms with strong contrast and angled stress, keeping the set visually unified in text.

Best suited to display roles such as headlines, posters, book or magazine titling, and branding where a forceful, traditional serif voice is desired. It can also work for short editorial passages or pull quotes when you want a dense, dramatic texture, but its strong personality may be too insistent for long-form body copy at smaller sizes.

The face conveys a theatrical, old-style confidence—bold and attention-grabbing while still grounded in traditional book-ish serif cues. Its swashy details and strong slant give it a spirited, slightly vintage flavor suited to expressive messaging rather than neutral documentation.

The design appears intended to deliver a classic serif framework with heightened drama: robust strokes, energetic italic forms, and decorative terminals that boost impact and memorability. It prioritizes expressive presence and historical resonance over strict neutrality.

In the sample text, the strong contrast and tight internal spaces create a dark color and pronounced word shapes, especially around rounded letters and diagonals. The italic construction is integral to the design rather than an oblique, with distinctive tails and terminals that show up clearly in lowercase and in letters like J, Q, y, and z.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸