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Sans Normal Osnov 6 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Novel Display' by Atlas Font Foundry, 'Formata' and 'Formata W1G' by Berthold, 'Proza' by Bureau Roffa, 'Accia Flare' and 'Accia Sans' by Mint Type, 'Mahsuri Sans' by Monotype, 'Alinea Sans' by Présence Typo, and 'Foundry Journal' by The Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, confident, retro, playful, chunky, impact, approachability, nostalgia, display clarity, brand voice, rounded, soft corners, bouncy, compact, high impact.


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This typeface has heavy, compact letterforms with rounded curves and softened joins that keep the dense weight from feeling harsh. Counters are relatively small and the interiors tend toward circular/oval shapes, giving the design a sturdy, rubbery rhythm. Terminals are mostly blunt and clean, with occasional subtle tapering where curves meet stems; diagonals and joins are simplified for a solid, poster-ready silhouette. The lowercase shows single-storey constructions and a generally even, straightforward structure, while figures are bold and rounded with clear, simple outlines.

Best suited for headlines and short bursts of copy where a strong, friendly voice is needed—such as posters, storefront signage, packaging, and bold brand marks. It also works well for large-scale editorial callouts, event promotions, and playful campaigns where impact and approachability matter more than long-form economy.

The overall tone is upbeat and approachable, combining a strong, attention-grabbing presence with a warm, slightly nostalgic softness. Its chunky curves and compact spacing read as friendly and energetic rather than formal or technical, making it feel suited to fun-forward messaging.

The design appears intended to deliver maximum impact with a welcoming, rounded personality. It emphasizes sturdy silhouettes, simplified construction, and consistent curves to remain legible and lively in display settings.

At text sizes the dense strokes and tight counters create a dark, emphatic color, while at larger sizes the rounded geometry and distinctive silhouettes become the main character. The design maintains a consistent, cohesive shape language across capitals, lowercase, and numerals, prioritizing bold clarity over delicate detail.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸