Sans Superellipse Wuho 4 is a very bold, normal width, high contrast, upright, tall x-height font visually similar to 'Shtozer' by Pepper Type (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, industrial, techno, game-like, stencil-like, assertive, display impact, system uniformity, technical tone, stencil motif, squarish, rounded corners, condensed feel, geometric, blocky.
A heavy, geometric sans with squarish, rounded-rectangle construction and pronounced corner radii. Strokes are thick and largely uniform, with crisp, rectangular counters and frequent notch-like cut-ins that create a semi-stencil rhythm across many letters. Curves are minimized; bowls and rounds resolve into squircle-like forms, while joints and terminals tend to be flat, stepped, or slightly chamfered. The lowercase is tall and compact, with simple one-storey forms and tight apertures that emphasize a solid, modular texture in words and numerals.
Best suited to short, bold settings where its modular geometry and dense texture can do the work—headlines, branding marks, product titling, posters, and high-contrast signage. It also fits UI splash screens, game titles, and technical/industrial themed graphics where a sturdy, engineered impression is desired.
The overall tone feels industrial and mechanical, with a retro-digital edge reminiscent of labeling, machinery, and arcade-era display typography. Its blocky massing and repeated notches give it a tough, utilitarian voice that reads as technical and purposeful rather than delicate or expressive.
The design appears intended to translate rounded-rectangle geometry into a consistent display alphabet, prioritizing impact, uniformity, and a recognizable notch/stencil signature. The goal reads as creating a strong, systematized voice that remains distinctive in large text while keeping a tight, efficient silhouette.
Spacing and interior shapes lean toward narrow apertures and rectangular counters, which produces strong word-color and high impact at display sizes. The notch/stencil motif is consistent enough to feel intentional, but it also makes similar shapes (e.g., C/G/O/Q and some numerals) feel closely related, reinforcing a cohesive, system-like look.