Sans Superellipse Igmu 2 is a very bold, very wide, medium contrast, upright, normal x-height font visually similar to 'Eurocine' by Monotype (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, logos, playful, retro, bold, friendly, chunky, impact, approachability, display clarity, brand presence, rounded, squarish, soft corners, geometric, compact counters.
A heavy, geometric sans built from rounded-rectangle forms, with broad proportions and softly blunted corners throughout. Strokes are uniformly thick with minimal modulation, producing dense, compact counters and sturdy interiors in letters like B, P, R, and 8. The curves tend toward superellipse-like bowls (notably in O, C, G, and 0), while terminals stay flat and square-cut, giving the design a blocky, engineered rhythm. Lowercase shows simple, single-story constructions with short, sturdy extenders and generally squared shoulders, keeping the texture consistent and tightly packed at display sizes.
Best suited to large-scale typography where its rounded, blocky silhouettes can carry impact—headlines, posters, packaging, and branding systems that need a friendly but forceful voice. It also works well for short UI labels, badges, and social graphics when set with generous spacing to preserve clarity.
The overall tone is confident and upbeat, combining a toy-like softness with an assertive, poster-ready presence. Its rounded block geometry reads as friendly and approachable, while the mass and width add a punchy, attention-grabbing feel with a retro sign-and-sticker energy.
The design appears intended to deliver maximum presence with a softened, geometric personality: a wide, rounded-rectangle construction that stays consistent across letters and numbers for cohesive display typography. It emphasizes bold shapes, simple forms, and strong silhouettes suitable for modern-retro branding and high-contrast layouts.
The numerals are especially stout and wide, with closed, compact shapes that prioritize impact over delicacy. Across the alphabet, apertures are relatively tight and joins are chunky, which helps create a unified, logo-like silhouette but can make small-size reading feel dense.