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Sans Normal Tyriy 2 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Epoca Classic' by Hoftype, 'Sinova' by Linotype, 'Contemporary Sans' by Ludwig Type, 'Skeena' by Microsoft Corporation, 'Joanna Sans Nova' and 'Ocean Sans' by Monotype, 'Organic Pro' by Positype, and 'Reba Samuels' by Samuelstype (names referenced only for comparison).

Keywords: headlines, branding, packaging, posters, signage, friendly, modern, confident, approachable, clean, approachability, impact, clarity, modernity, rounded, soft corners, solid, compact, high clarity.


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A heavy, rounded sans with uniform, sturdy strokes and softly eased terminals. Counters are open and fairly generous for the weight, giving letters a clear internal rhythm, while curves read smooth and continuous rather than geometric-sharp. The lowercase is straightforward and compact, with single-storey forms where expected (notably the a and g), round i/j dots, and a restrained, practical feel. Numerals are robust and simple, matching the letterforms with broad curves and minimal flourish for consistent texture in lines of text.

Well-suited for headlines, brand marks, packaging, and promotional layouts where strong presence and friendly tone are desired. It should also work effectively for short-to-medium UI labels, navigation, and product messaging where clarity at a glance is important, especially at larger sizes.

The overall tone is friendly and contemporary, projecting confidence without feeling aggressive. Its softened geometry and generous curves make it feel approachable and easy to read, suitable for upbeat, everyday communication. The weight and compactness add a sense of decisiveness that works well in attention-getting settings.

The design appears intended to deliver a bold, approachable sans voice with softened shapes that remain highly legible. Its consistent stroke structure and rounded detailing suggest a focus on versatile, modern display use that still feels comfortable in brief reading contexts.

In the sample text, the font produces a dense, even color that holds together well at large sizes. Rounded joins and terminals help reduce harshness in all-caps settings, while the lowercase maintains a practical, legible rhythm for short paragraphs and UI-style copy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸