Sans Superellipse Kydaj 1 is a very bold, very wide, medium contrast, upright, normal x-height font visually similar to 'Avionic' by Grype (names referenced only for comparison).
Keywords: logos, headlines, posters, gaming ui, sports branding, futuristic, techy, industrial, sporty, arcade, impact, modernity, tech flavor, distinct branding, display legibility, squared, rounded corners, modular, blocky, angular joins.
A heavy, squared sans built from rounded-rectangle bowls and broad, straight strokes. Corners are consistently radiused, while many joins are cut with sharp diagonals, giving counters and terminals a clipped, mechanical feel. The forms are wide and stable with generous internal space, and several letters use inset cutouts and stencil-like gaps that add texture without breaking legibility. The overall rhythm is compact and punchy, with strong horizontal emphasis and a consistent geometric construction across caps, lowercase, and numerals.
Best suited to short, bold settings where the wide stance and squared curves can read at a glance—logos, esports or sports identities, impactful headlines, posters, and UI titling for games or tech products. It can also work for labels and packaging where a rugged, industrial voice is desired, while extended body text may feel dense due to the weight and stylized cut-ins.
The font projects a confident, engineered tone—part sci‑fi console, part racing and arcade signage. Its chunky geometry and clipped details feel assertive and high-impact, suggesting speed, hardware, and digital interfaces rather than softness or tradition.
The design appears intended to combine rounded-rectangle geometry with aggressive diagonal carving, creating a robust display sans that reads as modern and machine-made. Its consistent construction and decorative cutouts suggest a focus on branding and interface-style typography where distinctiveness and impact are prioritized.
Round letters such as O/Q are squarish with rounded corners and rectangular counters, and diagonals in V/W/X/Y are broad and sharply cut. Numerals follow the same squared, panel-like logic, with segmented-looking inner breaks on some characters that reinforce a display-first personality.