Sans Superellipse Yeny 6 is a very bold, very wide, medium contrast, upright, tall x-height font visually similar to 'Monk' by 4RM Font, 'ATF Wedding Gothic' by ATF Collection, 'MC Blothe Display Font' by Maulana Creative, and 'Tipemite' by TypeArt Foundry (names referenced only for comparison).
Keywords: headlines, logos, posters, sports branding, gaming ui, tech, industrial, sporty, assertive, futuristic, high impact, distinctive texture, modern geometry, display focus, square-rounded, blocky, compact, stencil-like, angular.
A heavy, ultra-solid sans with wide proportions and rounded-rectangle (superelliptic) curves that keep counters soft while the outer silhouette stays blocky. Strokes are consistently thick with slightly eased corners, and several shapes use horizontal cut-ins/notches that create a subtle stencil-like strip through bowls and terminals. Rounds such as C, G, O, and S read as squarish ovals with generous ink and tight internal counters, while diagonals in A, K, V, W, X, Y, and Z are blunt and geometric. Lowercase forms are compact with a tall x-height, short extenders, and sturdy single-storey constructions that emphasize mass and uniform rhythm.
Best suited to large-scale applications where its mass and geometry can drive attention: headlines, posters, branding marks, packaging, and bold interface titling. It also fits themes like motorsport, gaming, tech products, and industrial or futuristic campaigns where a strong, engineered voice is desired.
The overall tone is loud, mechanical, and contemporary, combining soft-cornered geometry with aggressive weight. The midline cut-ins add a utilitarian, engineered feel—suggesting machinery, motorsport, and sci‑fi interfaces—while the rounded corners keep it approachable rather than sharp or hostile.
The design appears intended to deliver maximum presence through wide, superelliptic letterforms and a distinctive mid-stroke segmentation that differentiates it from standard geometric sans styles. It prioritizes a cohesive, machine-made rhythm and strong silhouettes for display use.
The numerals match the same wide, squared-round construction, with the 2 and 3 showing distinctive horizontal segmentation. In continuous text the density is high, so spacing and size will strongly affect readability; the design favors impact over delicacy.