Sans Normal Uhren 9 is a regular weight, normal width, medium contrast, upright, normal x-height font visually similar to 'Benton Sans', 'Benton Sans Pro', and 'Benton Sans Std' by Font Bureau; 'ITC Franklin' by ITC; 'Contemporary Sans' by Ludwig Type; and 'PF Das Grotesk Pro' by Parachute (names referenced only for comparison).
Keywords: ui, branding, signage, editorial, presentations, neutral, modern, clean, technical, corporate, versatility, readability, clarity, modernization, system consistency, geometric, rational, crisp, even, open.
This is a clean, geometric sans with monolinear strokes and smooth, circular bowls. Curves are round and controlled, while terminals are mostly straight and neatly cut, giving the design a crisp, engineered finish. Proportions are balanced and evenly spaced, with open counters and clear apertures that keep the rhythm steady in continuous text. Uppercase forms read sturdy and straightforward, and the lowercase maintains a consistent, uncluttered construction with simple joins and minimal calligraphic influence. Numerals match the overall geometry, with rounded forms and uniform stroke behavior that align well with the letters.
It suits interface and product typography where clarity and steady spacing are important, and it performs well for corporate branding systems that need a modern, neutral sans. The straightforward construction also works for signage and wayfinding at moderate sizes, as well as editorial subheads and presentation graphics where a clean, contemporary tone is desired.
The overall tone is neutral and contemporary, leaning toward a practical, no-nonsense voice. Its restrained geometry and clean finishing convey professionalism and a lightly technical feel rather than warmth or expressiveness.
The design appears intended as a versatile, general-purpose sans that emphasizes geometric coherence, consistent texture, and clear readability. Its restrained detailing suggests a focus on dependable performance across a wide range of everyday communication contexts.
Round letters (like C, G, O, Q) emphasize circular geometry, while straight-sided forms (E, F, H, N) keep the texture disciplined and stable. The italic influence is absent, and the letterforms prioritize clarity over personality, producing a consistent, predictable color across lines.