Sans Normal Kumup 5 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'EB Corp' by Eko Bimantara; 'Galvani' and 'Qubo' by Hoftype; 'Core Sans A', 'Core Sans N', 'Core Sans N SC', and 'Core Sans NR' by S-Core; and 'Gogh' by Type Forward (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, ads, dynamic, sporty, confident, modern, direct, emphasis, momentum, impact, modern utility, branding, slanted, rounded, clean, high-impact, contemporary.
This typeface is a slanted sans with sturdy, low-contrast strokes and smooth, rounded curves. Letterforms are compact and solid, with squared-off terminals in many places and consistent stroke behavior that keeps counters open and readable. The italic angle is pronounced, giving lines a forward motion, while the overall geometry stays simple and controlled. Numerals match the letters in weight and stance, with clear, familiar shapes designed for quick recognition.
Best suited for headlines, posters, and prominent UI or marketing copy where a forward-leaning, high-impact voice is needed. It can work well for sports branding, event graphics, and packaging that benefits from a compact, energetic sans. For longer paragraphs, it will be most comfortable at moderate sizes with generous line spacing due to the strong slant and heavy overall color.
The overall tone is energetic and assertive, with a sense of speed and momentum created by the consistent slant and dense, dark color on the page. It feels contemporary and pragmatic rather than decorative, projecting confidence and immediacy. The rounded construction keeps it approachable even when set large and heavy.
The design appears intended to deliver a modern, fast-moving sans voice with strong presence and dependable legibility. Its simplified, rounded forms and consistent slant suggest a focus on clarity under emphasis—optimized for attention-grabbing display use while remaining clean and functional.
In text settings the rhythm is tight and even, producing a strong typographic “stripe” that holds together well in headlines. The curvature in letters like C, G, O, and S is smooth and continuous, while diagonals (K, V, W, X, Y) read especially punchy due to the weight and slant. The lowercase appears straightforward and utilitarian, supporting fast scanning in short bursts rather than long-form reading.